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Michael and the War in Heaven Picture
Michael and the War in Heaven. Johnson City, Tennessee: Overmountain Press, 2016.

Summary: "Michael and the War in Heaven is a highly allusive narrative revolving around Michael in the victory over his recreant friend and rival, Lucifer. Physically, mentally, ethically, Michael exemplifies the traditional qualities of the hero and the values of Western culture. Figuratively, he represents good in the universal struggle with evil. Allegorically, through the Creative Spirit (epitomized by Gabrielle), he focuses on reality in opposition to appearances, prevails over despair, and attains spiritual realization. Allusive classical, Miltonic, Shakespearean, and other literary figures complement the three main characters in this essentially human, spiritual, nonreligious gest. Besides all that, Michael’s story is a good one in the telling.

A literary guide is included as a complement to the text for individuals, classes, and other groups who wish to pursue the analytical items provided.”—Book Cover

The accompanying analytical apparatus includes for each section readings which are directed toward specific allusions, text-related items to google, lists of themes and reiterated imagery, reflective statements/questions relative to characterization, and topics for discussion, writing, or reflection.

Book may be purchased at amazon.com

Doubting Thomas's Book of Common Prayers Picture
Doubting Thomas's Book of Common Prayers. Georgetown, Kentucky: Finishing Line Press, 2016.

Summary: Doubting Thomas's Book of Common Prayers is a chapbook of highly allusive, reflective poems set forth in an elegiac structure. As the author suggests in the "Preface": "Frustrations with self, with personal beliefs, with relationships human and spiritual, with the nature of things—all seem like Samuel Johnson's apprehensions, beasts we never slay, only continually beat back to their dens. Even poets seem to have no adequate response. Their bootless cries, as well as ours, often 'trouble deaf heaven' with 'no language but a cry,' even though they—as we must—challenge monsters of the dark and deep with heroic fortitude in overcoming doubt and despair. Some of these common frustrations without the security of a net or golden chain from heaven are the inspiration of these spiritual, non-religious prayers."

Back Cover Blurb: “The operative word in Tom Burton’s title is clearly 'doubting,' not fashionable skepticism, but a questioning informed by experience and a broad range of literary study. Burton undergirds his thoughts on everyday life with allusions to Chaucer, Shakespeare, and his cherished Victorian mentors, Browning and Tennyson. His wisdom is revealed, as Eliot says of the latter's, not by the strength of his convictions, but by the 'quality of his doubt.'" —Don Johnson, Poet in Residence, East Tennessee State University

Book may be purchased at amazon.com and also at finishinglinepress.com

Rosie Hicks and Her Recipe Book
Rosie Hicks and Her Recipe Book, ed. Winston Salem, North Caroline: LandaBooks, 2013.

Rosie Hicks is the deceased widow of Ray Hicks, the internationally known traditional storyteller from North Carolina. She lived in the shadows of all the publications and publicity of Ray; nevertheless, she is an interesting person in her own right. Her life is an engaging story, both as an individual and as a representative of a culture that has for the most part passed away. And that story is told in this little book directly from a series of recorded interviews by Donnie Shedlarz. The book focuses on Rosie’s wonderful anecdotes of growing up in Beech Mountain, North Carolina, including her marriage to Ray; but it also includes the recipes that she kept in an old recipe book, as well as a number of family photographs.

Beech Maintain Man: The Memoirs of Ronda Lee Hicks
Beech Mountain Man: The Memoirs of Ronda Lee Hicks. Knoxville: University of Tennessee Press, 2009.

Summary: "Ronda Lee Hicks . . . is a gifted storyteller. Ronda’s stories are about himself, his family, friends, and acquaintances, . . . events, ranging from drunken debauchery to brutality. . . . Embedded in all of Ronda’s stories are numerous details of mountain life, work, entertainment, behavior, beliefs, values, and codes. Thus . . . readers will not only meet a truly singular individual but will also learn of many obscure features of southern Appalachian mountain culture, including its darker aspects." — Jacket.

Review: "Thomas Burton is . . . a pioneer in the sensitive portrayal of mountain folk culture. This book captures the life story of a man who exemplifies the sometimes violent under class of mountain culture." —Appalachian Heritage

Review: "Hicks’ story is not easy to read because of the circumstances of his life and actions. Hicks lives by a code of ethics and values that may appear quite alien . . . a snapshot of a culture that seems frozen in time, where people take care of themselves and address actual and perceived wrongs to themselves, family and friends. . . . recommended for college and university libraries, and for public libraries with an interest in Appalachian life and culture."—Virginia Salmon, Tennessee Libraries

Review: "Thomas Burton’s edition of what amounts to an autobiography of Ronda Lee Hicks—fighter, drinker, womanizer, and storyteller—represents a whiff of late-night honky-tonk whiskey and tobacco in its realism. . . . Hicks is a talented raconteur, whose gifts are well displayed in Burton’s careful editing."—Erika Brady, Western Kentucky University

Book may be purchased at amazon.com and The University of Tennessee Press

The Serpent and the Spirit
The Serpent and the Spirit. Knoxville: University of Tennessee Press, 2004.

Summary: "In this comprehensive, multilayered set of narratives, the story of Glenn Summerford’s fall from grace [his conviction of attempting to murder his wife with serpents they used in church services] is told by its participants, through interviews, court documents, and other primary sources. . . . this book presents an absorbing story of a fascinating group of people, while allowing the reader to draw his or her own conclusions about Summerford’s guilt or innocence. The Serpent and the Spirit is a startling commentary on truth and its representation, religion and its expression, humanity and its flaws."—Publisher’s catalogue

Review: "Thomas Burton is . . . a pioneer in the sensitive portrayal of mountain folk culture. This book captures the life story of a man who exemplifies the sometimes violent under class of mountain culture." —Appalachian Heritage

Review: "Burton, whose Serpent-Handling Believers is essential to any investigation into this practice, has chosen to allow the involved parties—accuser and accused, family members, church brethren, lawyers and doctors—to present their stories in their own words, and the result is a riveting Rashomon of he-saids and she-saids. Though Summerford was convicted, the many-faceted testimony leaves much to the reader’s powers of assembly and winnowing and also offers valuable insight into those very ordinary, though often jeopardized, church-goers who take literally the passage in the Gospel of Mark which may invite true believers to handle poisonous reptiles."—R.T. Smith, Shenandoah

Review: "This is more than a story about the headline ‘Preacher tries to murder wife—with rattlesnakes!’ It is a story of individuals struggling with their faith and their fate under the steady gaze of their God."—Ralph W. Hood Jr., winner of the American Psychologogical Association’s William James Award

Review: "Each version of the story is told in a unique voice and, as Burton reminds the reader, each of these voices ‘has a beauty of its own’ (p.4). We are fortunate to have a work such as The Serpent and the Spirit and an able craftsman like Thomas Burton, committed as he is to the beauty and intricacy of a story and not blinded by the quest for a single, simple truth."—Jaman Matthews, Journal of American Folklore

Book may be purchased at amazon.com and The University of Tennessee Press

Serpent-Handling Believers
Serpent-Handling Believers. Knoxville: University of Tennessee Press, 1993.

Summary: "Using both oral history and scholarly research, Burton traces the evolution of Christian serpent handling from its beginning and explores legal and ethical issues associated with this and other unorthodox practices, allowing participants to speak for themselves through personal interviews. The result is both a dramatic presentation, through vivid photography, and a thorough analytical insight into the serpent handlers’ culture."—Publisher’s note

Review: "Burton’s lucid and learned account of the phenomenon shows how serpent-handling began over ninety years ago in the American South. . . .He begins . . . by showing sympathetic respect for the people concerned, describing them as good people intent on holiness, . . . and in no way crazed." --David Martin, Times Literary Supplement

Review: "Burton’s book is the most authoritative study yet of the serpent-handling Pentecostals in the eastern United States."—Peter Hocken, Society for Pentecostal Studies

Review: "Burton’s special respect for people and their beliefs, honest and wide-ranging intellectual perspectives, and clear writing make this pioneering book highly recommend[ed]."—Newsletter of the North Carolina Folklore Society

Book may be purchased at amazon.com and The University of Tennessee Press

Some Ballad Folks
Some Ballad Folks (including 60 min. cassette tape produced by Tennessee Folklore Society). Reprint, Johnson City: East Tennessee State University Center for Appalachian Studies and Services, 1990.

Summary: "Some Ballad Folks provides perspectives of five mountain women and their traditional ballads of British origin. Texts, tunes, photographs, and analysis are given, but the focus is upon the singers’ own life histories and discussions of these old songs."—Book cover

Review: "There are tales, anecdotes, superstitions, beliefs and folk wisdom which the singers choose to share. . . . Dr. Burton’s modest study is a model for linking song texts with biographical information to construct a ‘total folk culture’ and experience, and first-class scholarship in an appealing format."—Come-All-Ye

Book may be purchased at amazon.com and The Center for Appalachian Studies and Services

Tom Ashley, Sam McGee, Bukka White:  Tennessee Traditional Singers Picture
Tom Ashley, Sam McGee, Bukka White: Tennessee Traditional Singers, ed. Knoxville: University of Tennessee Press, 1981.

Summary: "Each piece delineates the influences of the musical careers of Tom Ashley, Sam McGee, and Bukka White, representing east Tennessee’s Anglo-American tradition, middle Tennessee’s country music tradition, and west Tennessee’s African American tradition respectively."—Publisher’s note

Review: "This book is strongly recommended for those who are interested in southern folk music and its commercial extensions."-- Bill C. Malone, American Music

"The editor’s style transcends the expected ordinary exposition . . . [and] discographies, an index of song titles, and a general index all contribute to the usefulness of this study to students and scholars."—Michael Davenport, Bulletin of the Society for American Music

Book may be purchased at amazon.com and The University of Tennessee Press